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William Melton Halsey : ウィキペディア英語版
William Melton Halsey

William M. Halsey (1915-1999) was an influential abstract artist in the American Southeast, particularly in his home state of South Carolina. He was represented by the Bertha Schaefer Gallery in New York City (1948-1953). His mural studies for the Baltimore Hebrew Congregational Temple were included in Synagogue Art Today at the Jewish Museum, New York City (1952). His work was included in the annual International Exhibition of Watercolors, the Art Institute of Chicago (1939, 1941-1943). He had work in the Whitney Museum's Annual Exhibition of Contemporary American Sculpture, Watercolors and Drawings (1953). A mid-career retrospective was held at the Greenville County Museum of Art in 1972 and then traveled to the Gibbes Museum of Art (formerly the Gibbes Art Gallery), Charleston, South Carolina, and the Florence Museum, Florence, South Carolina.
==Early life==

William Halsey was born in Charleston, South Carolina. His talent was evident at an early age, and he was encouraged by his mother, Eleanor Loeb Halsey. His first instructor was the local artist Elizabeth O'Neill Verner, who had studied at the Pennsylvania Academy of the Fine Arts and was one of the leading artists in the Charleston Renaissance. Another early influence was the local artist Edward I. R. Jennings, who had studied in New York City with Arthur Wesley Dow. It was from Jennings that the young Halsey learned about what was happening in the realm of modern art. After high school Halsey attended the University of South Carolina for two years. Realizing he was only interested in art, he sought another place to study where he could maintain his singular focus. He moved to Boston to study at the Boston Museum School (now called the School of the Museum of Fine Arts, Boston). His courses at the school were rigorous and included anatomy, perspective, composition, and drawing. He developed an interest in fresco and became sufficiently trained to be able to teach this technique at the school. He attended the school from 1935-1939.
In 1939 upon completing his study at the Museum School of Fine Arts, he was awarded a James William Paige Fellowship for 24 months of study and travel in Europe. With the outbreak of World War II on the horizon, Europe was not an option. As an alternative he was allowed to go to Mexico. He and his new wife, Corrie McCallum, sailed for Veracruz and then settled in Mexico City. The change of location to Mexico had a profound influence upon the young artist. Surrounded by weaving, pottery, and the colorful scenery in Mexico, he was drawn to this country and its ancient cultures. This interest only became deeper and more profound during his life.

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